When I thought about it a little later, it hit me that Solo Acoustic wasn't just a trip down memory laneit was a flat-out great performance and recording.īob Seger & the Silver Bullet Band: Nine TonightĬapitol STBK-12182 (2 LPs). Then, one day last summer, Pandora delivered an acoustic version of "Running on Empty." Wow, talk about a shock to the system! I immediately tracked down and bought this CD and listened to it twice, front to back. But as the years went on, Browne's albums spent less and less time on my turntables, and somewhere along the line disappeared altogether.
Singer-songwriters like Jackson Browne, offset with slighter harder rock bandssay, AC/DCmade up the soundtrack of my formative years. Hisaishi Meets Miyazaki Films is a compilation of epic orchestral hits from Princess Mononoke, Spirited Away, and Porco Rosso. Of course, this impact would not be possible without the work of Joe Hisaishi, who scores Miyazaki's movies. The beauty of his work is a combination of the sheer scale of his worlds (on a par with the likes of Tolkien, Rowling, and Disney), the use of advanced animation beyond its time, and deeply beautiful stories that continue to warm the hearts of people of all agesa rare feat for animated films to do on the scale that Miyazaki does it. Hayao Miyazaki, Japanese animator, manga artist, film producer, and cofounder of the legendary Studio Ghibli, is undoubtedly one of the greatest animation legends of all time. Joe Hisaishi: Hisaishi Meets Miyazaki Films Fun fact: The Carpenters heard "Honolulu City Lights" while vacationing in Hawaii, and later released their own cover of the song, in 1986. Keola and Kapono Beamer (the Beamer Brothers) are part of a group of iconic musicians who helped to build a solid foundation for what we now refer to as "Hawaiian music." I've spent far too many nights ironically driving around downtown Honolulu while listening to this album.
"Honolulu City Lights," the song this album is centered around, and the Beamer Brothers' most popular hit single, is a comforting mix of old and newmusically akin to downtown Honolulu of the 1970s, now and perhaps forever. Keola & Kapono Beamer: Honolulu City Lights Miles is dug in deep, especially in "Stella by Starlight," with its profound silences. Drop-dead solos keep coming from Ron Carter (arco), Herbie Hancock in the bloom of youth, 17-year-old savant Tony Williams, and criminally underrated George Coleman. "Autumn Leaves" and "So What" and "Walkin'" are here in their most advanced states of creative license, preserved just before Miles Davis moved on from this repertoire. Only a few titles ever appeared, but one is a masterpiece.
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It was supposed to become an ongoing series, drawn from an archive of 2000 hours of music recorded at the festival. In 2007, Monterey Jazz Festival Records was launched with much fanfare. Miles Davis, trumpet George Coleman, tenor saxophone Herbie Hancock, piano Ron Carter, bass Tony Williams, drums Miles Davis Quintet: Live at the 1963 Monterey Jazz Festival
We are all exiles from something or somewhere. Pelagos is a concept album that transcends its concept and becomes universal. Battaglia's piano markings on silence are devastating in their beauty and sadness. It is a single imaginative arc, motivated by the plight of the refugees who have been flooding into Europe from Africa and the Middle East, fleeing war, oppression, and famine. Stefano Battaglia's new solo recording is a necessary exception. With regard to R2D4 eligibility, my rule has been that albums are like wine: They must be allowed to age before they can achieve distinction.
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